The Sopranos
Summary
Some of the most memorableChristopher Moltisanti quotes onThe Sopranoshighlight why he was one of the most interesting characters in the acclaimed series . The Sopranoswas a show have it away for its complex , and often unappealing , characters . Michael Imperioli ’s performance as Christopher Moltisanti , an up - and - arrival within the crime family , created one of the show ’s longest - hold up and most graphic characters . He delivered a number of memorable lines , with some abide out as defining his character .
He was as brutal as his distant cousin-german , Tony Soprano ( the head of the kinsperson ) , but , like Tony , he hid a more sensitive side from those around him . While acting as Tony ’s protégé , Christopher would also pursue a career as a screenwriter throughout the show and it gave his case a particular penchant for memorable dialogue . From his complicated relationship with Tony to his entertaining bickering with Paulie to his tragic journey throughout the series , Christopher ’s best inverted comma onThe Sopranoshighlight his discharge .
Several stars of The Sopranos have gone on to feature in some heavy task since the show land up in 2008 .
10“Wait Here, I’ll Get Your Viagra.”
Season 6, Episode 8, “Johnny Cakes”
Even though he ’s the unseasoned and by far the most inexperienced of Tony Soprano ’s main crew , Christopher is never afraid to make joke at the expense of the other crew members . Sitting outside , Tony spots a beautiful adult female cross the street who he points out to Silvio and Christopher . Silvio assert “ I could do that , no problem . ” Without missing a beat , Christopher give notice back with his putdown .
It ’s also apt how Christopher is often look down on by some of the others for being younger and not as experient .
That variety of teasing is part of the gang ’s moral force and the fact that Christopher can give it as much as he can get it shows that he belongs with them . It ’s also canny how Christopher is often wait down on by some of the others for being unseasoned and not as experient . Yet in this illustration , he hold that age difference work to his advantage while insulting the older Silvio . However , even Christopher is not dumb enough to essay that sort of prank on Tony .
Custom image by Colin McCormick
9“In My Thoughts, I Used A Technique Of Positive Visualization. How Come I Always Feel Undermined?”
Season 1, Episode 2, “46 Long”
A source of many of Christopher ’s problems is how unfulfilled he feels in general . He usually interprets this as a symptom of not moving up quickly enough within the criminal offense home and it leads to him jumping the gun in numerous situations . After violently assort out a magnanimous job for Tony , but in an unprofessional way , Christopher anticipate to become a made humans and give tongue to his restlessness to Tony in his typically philosophical manner ; much to Tony ’s amusement .
The Sopranosis a modern look at the mafia world and a lot of its most interesting view come from how the old ways of mobster clash against progression . Just as with Tony going to therapy , Christopher using ego - help jargon to spill about his own desires to move up in the organisation is something now seen inmany gang movies .
8"I Don’t Care If They Shove A Scud Missile Up Your Ass. This Is My Corner. You Pay Anyone But Me, I’m Coming Back For Your Thumb."
Season 1, Episode 5, “46 Long”
For all of his problems , Christopher is undeniably effective at being a mobster . He ’s unafraid and ready to drop down whenever it ’s command of him . In this particular instance , he nonchalantly approaches a valet in a friendly and conversational personal manner before abruptly beat him to the groundover a earnings dispute . Once down on the earth , Christopher begins to strangle the man with his own yo - yo as he lays down the constabulary of his territory .
The Sopranos ' character are robust and complex the great unwashed , but as likeable as they may be at time , they still operate within this violent and nasty crime populace . Christopher can sometimes seem endearing in his young uninstructed ways , but moments like this are when the show likes toremind the viewers that these are dangerous peoplewho are capable of extreme vehemence .
7“I’ll Leave You Here, You One Shoe Csucker… You Know How Fast I Can Run, I’ll Leave You In The FIng Dust.”
Season 3, Episode 11, “Pine Barrens”
One ofThe Sopranos ’ biggest rivalries was between Christopher and fellow mobster Peter " Paulie Walnuts " Gualtieri . Much previous , and far less connected than Christopher , Paulie ofttimes butts head with him over their standing in the gang and what each one thinks they owe the other . After botching a murder in the New Jersey Pine Barrens , the two become lost in the frozen snarl of trees and chop-chop fall aside under the pressing .
After Paulie lose a horseshoe and nighttime falls on them , the twain really start out to crack . " Pine Barrens " is often regarded asthe best installment ofThe Sopranosand the fundamental interaction between these two characters are one of the reasons why . Though they care to acquaint themselves as professionals while on the job , when alone , these two spat like children . Christopher ’s imperil to leave alone Paulie behind express how immaturity overtakes these two grown man .
6“Why Don’t You Just F*** Yourself? Save A Little Money.”
Season 5, Episode 1, “Two Tonys”
The somewhat respectful , jolly hateful , back - and - forth between Christopher and Paulie Walnuts follows the pair no matter where they are .
The somewhat respectful , somewhat mean , back - and - forward between Christopher and Paulie Walnuts follows the pair no matter where they are . When one is happy , the other is often dysphoric . When one is winning , the other is usually lose . The most tense their relationship becomes is when Christopher is come ready to become a made adult male and Paulie smack place him through an initiation menses .
This includes Christopher having to pay for the prodigal repast when he takes Paulie and the other men out . By this distributor point , Christopher is run up with being used . After Paulie suggests that he may go find “ a broad ” to crest off a peachy repast , Christopher makes his own trace as to what Paulie can go and do . Even when Christopher is close to getting the affair that he say he ’s always require , he finds something to complain about and some reasonableness to lash out .
Considered to be a quintessential drama series to watch, The Sopranos is a crime-drama series that follows Tony Soprano, who tries to manage the expectations of an Italian-American patriarch while acting as the head of a prolific New Jersey crime family. Burdened by the stress of the expectations thrust upon him, Tony regularly visits a therapist throughout the series run. This helps give context to Tony’s actions as a ruthless boss with violent tendencies.
5“Pours You A Drink With One Hand. Judges You With The Other If You Take It.”
Season 6, Episode 17, “Walk Like A Man”
Of all of Christopher ’s difficult relationships throughout the show , none is more complicated than his one with Tony . Clearly , both characters are frustrated by one another . Christopher resents Tony for his want of upward motion in the organization while Tony begrudge Christopher for his deficiency of reliability . Both are unable to fully carry their frustrations as they ’re kinsperson , but Christopher particularly as Tony is still his boss , above all else .
However , there are moments when Christopher lets his precaution down and the true statement about how he experience come out . This rare assessment of Tony is only said to a group of people altogether outside the Maffia . It is a splendid argument that does highlight the relationship between the two . For Christopher , despite their closeness , every interaction he has with Tony is a test to see if Christopher really has what it takes to be in the family unit job .
4“You Touch A Single F***In’ Crust, You’re Gonna Wish You Took That Job At McDonald’s.”
Season 1, Episode 8, “The Legend Of Tennessee Moltisanti”
So much of Christopher ’s personality come from his fragile ego . He is in a world of men who demand respectfulness as soon as they enter a way and any sign of disrespect can not be endure . However , Christopher knows that he is not at that level , so he not only feel that he is always being disrespected but also that he needs to handle it aggressively in lodge to bear witness himself .
When wait for his turn in a bakery , Christopher becomes increasingly angry at the clerk serving fellow crew member Vito Spatafore before him . Not knowing who he ’s blab to , the clerk refuses to back down . The post continue to get worse until Christopher force out a gun and set about his pastries as he bark orders and fires smoke at the terrified shop assistant ’s feet . It is a Greco-Roman second of Christopher adjudicate to come off as rugged but only come after in look light .
3“Louis Brasi Sleeps With The Fishes.”
Season 1, Episode 1, “Pilot”
One of the interesting thing aboutThe Sopranosas a pack story was that it took place in a macrocosm in which ring movies were such a well - experience part of the mainstream . The show frequently alluded to the large mobster story of American pop culture , especially the iconic moving picture that depict the Italian Cosa Nostra in America . In a sensory faculty , Christopher seemed less like a licit gangster and rather someone who was seek to be the gangster he saw in movies .
During a discourse with cohort Salvatore " Big Pussy " Bonpensiero over a slaying that Christopher devote without authorisation , Christopher essay to shrug it off by misquotingthe famous line fromThe Godfather , “ Luca Brasi sleeps with the Fish , ” which Pussy corrects him on . Christopher go out himself as a gangster and a cinephile and this misquote prove that he might be neither .
2“What I’m Saying Is…”
Season 3, Episode 2, “Proshai, Livushka”
Full quote :
“ They say there ’s no two people on Earth precisely the same . No two faces . No two sets of fingermark . But do they know that for sure ? Because they would have to get everybody together in one huge quad and obviously that ’s not possible , even with computers . And not only that , they ’d have to get all the mass who ’ve ever populate , not just the ones now . So they get no proof . They got nothing . Mrs. Soprano may have passed but who ’s to say there is n’t another Mrs. Soprano just like her , or will be ? perhaps not with the same fears and paranoia but the same . What I ’m aver is … ”
1“You Ever Feel Like Nothin’ Good Was Ever Gonna Happen To You?”
The tragedy of Christopher is how consistently lost he feel throughoutThe Sopranoswithout ever really finding any resolution . He fight with addiction but necessarily relapses into it . He achieves most of his professional goals in , and outside of , the Cosa Nostra but he never unfeignedly feels fulfil by any of it . He expresses this deficiency of contentment to several character throughout the show and , in this particular instance , to Paulie Walnuts .
Paulie answers his dubiousness bluntly : “ Yeah , and nothing ever did . So what ? ”
He talks about howhe feel like a fictional character with no story bow and the resulting fright that his life will never have meaning . True to form , Paulie answers his question bluntly : “ Yeah , and nothing ever did . So what ? ” In a way of life , this exchange foreshadows the separate way these fiber take . Paulie does n’t beware feeling aimless and hug it which precede to him being one of the onlycharacters who dwell to the end ofThe Sopranos . Christopher is troubled by the look and it at long last leads to him destroying himself .
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Cast
count to be a quintessential play series to watch , The Sopranos is a crime - drama serial that follow Tony Soprano , who tries to grapple the anticipation of an Italian - American patriarch while acting as the promontory of a prolific New Jersey crime family . Burdened by the accent of the expectations thrust upon him , Tony regularly visits a healer throughout the serial run . This help give context to Tony ’s action as a ruthless boss with violent tendencies .
