Here ’s how Peter Jackson made full - grown actors appear like half - sized Hobbits in hisThe Lord of the Ringstrilogy . expel between 2001 and 2003 , theLord of the Ringsmovies have stood the test of time and leave a cinematic legacy that still resonates throughout the phantasy genre , both in moving picture and on TV . Though much of the adulation worry characterization , storytelling , and a vivid rendering of Tolkien ’s mythology , Jackson’sTheLord of the Ringsalso represented a landmark accomplishment in the world of special effects . However , among the huge CGI struggle and Anky Serkis ' Gollum / Smeagol coming into court , one simple virtual effect still has fans talking — how they got the Hobbit height right .

The Two Towers’Battle of Helm ’s Deepbroke new ground in term of epic battle episode , utilizing vast quantities of extras and CGI to give the printing of a stupendous encounter between orc and humankind . Even more impressive was the character of Gollum , with Andy Serkis ' motion capture performance the first of its kind , pave the room for the likes of Caesar inPlanet of the Apesand Thanos inAvengers : Infinity War . Entire films ( TheJungle Book , for lesson ) have even been based around technology first hone inThe Lord of the Rings . But with the raiment of telling reckoner - generated effects in-between - earth has to pop the question , it ’s easy to overlook the equally - staggering practical illusion .

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One ofPeter Jackson ’s biggestLotRchallenges(and there were a fair few ) was the instauration of the Hobbits — specifically , create certain he got the Hobbit height in good order . These beings were not children but were a fraction of an grownup man ’s sizing . With the Hobbits ' height , one of their defining features and a key part in creating their underdog status , Jackson was forced to find a way of life the Hobbit detail of his hurl could look little than the residuum . For theLord of the Ringstrilogy , this effect was entirely practical . Jackson used a traditional Forced Perspective technique to produce the illusion of one actor being minor than the other . This included different - sized props ( chair , mugs , etc . ) and carefully positioning a charactersuch as Frodoin relation to another of regular stature , giving the picture that two likewise - sized actors were actually of vastly differing peak .

Forced Perspective Makes The Hobbits Look Small

The sorcerous camera antic used to get proper Hobbit stature is call Forced Perspective . Because pressure view usually relies on very specific camera angle , The Lord of the Ringsused move sets that would reposition in sync with the tv camera , conserve the same sense of perspective throughout the snap . In scenes where Hobbits did n’t needs need to interact directly with bigger characters , the Hobbits would be filmed separately , with everything tack together together after in post - production .

Both method acting were painstaking and time - consume unconscious process , demand either double - length filming sessions or the construction of an intricate and carefully maneuvered set . As such , Jackson change his coming for hisThe Hobbittrilogy , incorporate a little CGI into the mix . For the prequel series , Peter Jackson move away from shoot the Hobbits ' scenes separatelyforThe Hobbit , and would instead shoot simultaneously on two freestanding set . A character reference of one size of it would shoot on the chief set , while their bigger / smaller similitude would shoot a few feet out on a green blind set , with cameras program to mime each other . With the prospect make for out in real - clock time , Jackson could direct functioning far soft , and the actor shoot on greenscreen would then be digitally introduce into the footage from the main set .

Without question , the Hobbit optical effects inThe Lord of the Ringsare seamless and provide expert examples of force perspective in filmmaking . It ’s apprehensible that Jackson might want a quicker solution when knead onThe Hobbit- the movies were already hurry to strict deadline and halfling fictional character were even more dominant than they were inThe Lord of the Rings . However , the dispute in method acting can be subtly felt between the two trilogies . WhereThe Lord of the Ringsfeels earthyand home - grown , there ’s a digital sheen to theHobbitmovies that betrays the increased habit of digital event . Nevertheless , both methods knuckle under rattling resolution and will be remember as quality example of their slyness .

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Amazon’s Rings Of Power Is Repeating LOTR’s Forced Perspective Tricks

typeset thousands of year beforeLord of the Rings , Amazon’sLord of the Rings : The Rings Of Powerfeatures a kin of proto - Hobbits yell Harfoots . The Harfoots live living than the Shirefolk of Jackson ’s trilogy , and the trademark Hobbit holes are n’t yet part of their society . Harfoots stay put aside from the tall folk of Middle Earth , many of whom doubt halflings even exist . Amazon has borrow a bit of optic tricks from PeterJackson’sLord of the Ringstrilogyin decree to make the Hobbit height in comparing to the men , Elves , and Orcs of halfway - earthly concern exact . As well as Forced Perspective , many of the Harfoots ' props and sets are made intentionally oversized in comparison to the actor . This means entire sequence can be shot in the Harfoot camp without any camera shenanigan or SFX , and the Hobbits still appear small . This is one of many waysThe Rings of Powerhas made itself a spiritual successor to Jackson’sLord of the Ringsdespite the two not being formally linked .

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Ian McKellen as Gandalf and Elijah Wood as Frodo in Lord of the Rings

Lord of the Rings Forced Perspective Effect

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