Cloverfield
Matt Reeves , the theatre director ofThe Batmanstarring Robert Pattinson , has a abbreviated but fascinating filmography ; here are all of Matt Reeves ' motion-picture show ranked from bad to practiced . When Matt Reeves was announced as the Modern director of DC ’s upcoming Batman movie , he was simultaneously seen as an unexpected option , but inevitably the perfect man for the job . Taking over the reins from Ben Affleck , who mistreat down from writer - director duties on a solo Batman movie , Reeves was viewed as a reliable studio apartment mitt .
Over the brief course of his cinematic vocation , Reeves has proven himself to be extremely adept at tackle stories that comport the immense weight of ethnical grandness and fan expectations . Matt Reeves ' picture let in one new franchise , a sturdy English - language remaking of a Swedish favorite , a rom - com , and a revitalized decades - quondam Hollywood enfranchisement . It ’s soft to underratedirectors like Matt Reeveswho seem more at nursing home with old - school day movie - making than adjudicate to break the mold .
Related : Tim Burton ’s Planet Of The Apes Ending Explained ( & Why It ’s So despised )
After the release of the smash - hit superhero filmThe Batman , Reeves is starting to become a family name . Matt Reeves ' motion picture genres vary in a braggy way as he jump his career with a rom - com and then did a prospicient stint in television , working on show likeFelicity , Miracles , andHomicide : Life on the Street . He returned to feature films with the found - footage horror / sci - fiCloverfieldin 2008 and then went on to act upon on thePlanet of the Apesfranchise . He ’s also responsible for for the vampirehorror moving-picture show star Chloë Grace MoretzLet Me In , a remake of the Swedish movieLet the Right One In . Here is every Matt Reeves pic outrank from worst to good , but please take down that this list is curb to Reeves ' work in pic and wo n’t let in anthologies .
6. The Pallbearer
Before he teamed up with J.J. Abrams to get the worldFelicity , Reeves co - write and directed the read-only memory - comThe Pallbearer , starring David Schwimmer at the height ofFriends ' fame and Gwyneth Paltrow , who was a rebel star at the fourth dimension . The Pallbearerhad the trenchant laurels of screening in the Un Certain Regard department of the 1996 Cannes Film Festival , which probably had more to do with the affair of Harvey Weinstein and Miramax than the quality of the film itself . In thisMatt Reeves movie , Schwimmer plays a Ross Geller - Esque sad sack who begin an affair with the mother of someone whom he was supposedly well friends with but ca n’t recall , only for him to become reacquaint with his unrequited high - school crush . It ’s all a pretty obvious riff onThe Graduatebut with none of that classic movie ’s wit or psychoneurosis . It does n’t help that Schwimmer has no real chemistry with Paltrow or Barbara Hershey .
5. Let Me In
Tomas Alfredson ’s adaptation of the John Ajvide Lindqvist novelLet the correct One Inis one of the best horror motion-picture show of the 2000s , a taut and devastatingly tender tale of aloneness and violence that Roger Ebert declared to be"the best modern lamia moving picture . “It was dishearteningly inevitable that Hollywood would redo it , and the duties for that thankless line of work fall to Matt Reeves . Let Me Inisn’t a bad movie . It ’s often beautiful and keenly understands its source material . The problem is that it never justifies its own existence . Everything it does well is done advantageously in the Swedish movie , and there are minute that are practically carbon transcript of Alfredson ’s focus . consultation watching the Matt Reeves moviewithout knowing of the existence ofLet The Right One In , might find their viewing experience may be more enjoyable .
4. Cloverfield
The merchandising campaign aroundCloverfieldwas so pitch - unadulterated in its ability to stir up anticipation base on the humble of hints that it ’s a minor miracle the movie itself lived up to it . Cloverfieldis at its better when it apply its amateur picture - style output to create a claustrophobic intensity to the unfold action . The vast streets and layers of New York City become suffocate , packed full of panic citizen trying to flee an unknown peril . Thefound - footage horror moviemaintains that illusion throughout , a tricky feat given how painfully familiar audiences now are with this gimmick . Some critics had a real trouble with the way the death of the city clearly draw out mental imagery of 9/11 , something that ’s now par for the row with twenty-first - century calamity cinema , butCloverfield ’s savvy lies in its understanding of how live in a post-9/11 world leaves one in a constant res publica of paranoia . Severalspinoffs were made after the achiever of the Matt Reeves movie , but none of them did the original justice .
Related : The Batman Movie Inspirations & DC Comics Influences
3. Dawn of the Planet of the Apes
2011’sRise of the Planet of the Apes , directed by Rupert Wyatt , was already something of a surprise for audience and critics who did n’t carry it to be as near as it was . When Reeves choose over thePlanet of the Apesfranchise , he raise the legal community even further withDawn of the Planet of the anthropoid , upping the ante and bringing a greater story of aroused sophistication to the narrative . Dawnof the Planet of the Apeshas greater ambitiousness than bare spectacle . The cinema has some deftly layered thing to say about diplomacy and legal philosophy and ordering . If you were a cynic about the authenticity of gesture - capture performances then the work of Serkis and actors like Toby Kebbell and Terry Notary here will easily put those reverence to rest in this Matt Reeves movie .
2. War for the Planet of the Apes
How often is the third film in a serial publication the best one ? Matt Reeves pulled it off withWar for the Planet of the Apes , a moving picture of such astounding grandeur and beauty that it deserves to be held up as one of the best megahit of the twenty-first century so far . Andy Serkis ' performanceis near - Shakespearean in its emotional heft , and Reeves is happy to give the storey over to his Caesar for some truly engrossing moments that end up being some of the best scenes in anyPlanet of the Apesmovie . The thematic depth are still here , more complex than ever and work perfectly in tandem with the proficient wonder of this hyper - naturalistic CGI . The visual splendor never overwhelm the narrative . Matt Reeves ' film asseverate its focus on character and plot in this bleak tale of a futile war , and the lifetime of genial scar it leaves behind .
1. The Batman
Matt Reeves contribute his A - game with his latest movie , The Batman . Reeves presents something that has n’t been done before in any superhero franchise , except maybeThe WatchmenorThe Boys , by blending crime - drama and noir in the fecund hero ’s story . The director keep the plot line withinthe Batman universe , while at the same time portraying Gotham in an extremist - naturalistic and dark path . Matt Reeves play back several famous villains , like Colin Farrell who is unrecognizable as The Penguin , and Zoë Kravitz as Catwoman ; at long last something that has n’t been done in live - action since Tim Burton dedicate a crack cocaine at Batman ’s fib . The gritty noir play numberless comic strip and video game to life history as Reeves cautiously present Gotham metropolis in its rude state , while also adding psychological elements to Bruce Wayne ’s ( Robert Pattinson ) character ontogenesis . It ’s not often that Batman experience a full case arc , but the Matt Reeves movieThe Batmanis a fresh takeon a superhero whose exploits have been chronicled myriad times . It ’s a movie that deserve to be held up with the ilk ofMad Max : Fury RoadandThe Dark Knightin footing of prove off just what a megahit of this caliber can do with a conductor like Matt Reeves at the helm .
Next : The Batman Ending Explained ( In Detail )
