His House
Netflix ’s vast library of horror films is perhaps well voyage by using the cumulative scores of critic on Rotten Tomatoes . According to the Tomatometer , the good horror movies on Netflix are constitute of obscure and original title from around the globe .
A numeral were also released by horror motion picture titan Blumhouse , with Netflix teaming up with the production fellowship for the Stephen King adaption , Mr. Harrigan ’s Phonereleasing this October . count the success of the platform ’s other King adaptations , it may not be long before there ’s another addition to the best horror pic on Netflix .
Creep (2014) – 89%
Creepis afound footage filmthat play along Aaron , a videographer , as he takes an assigning to help oneself a man he ’s met through Craigslist , Josef , make a docudrama for his unborn tike as Josef says has a brainpower tumor and feels like he wo n’t be around when the child is born . However , Josef starts playact bizarrely and makes Aaron uncomfortable throughout the entire time that they ’re shooting . As the story come along , things get foreign and unusual , with Josef ’s personality and intentions becoming more and more sinister .
Creepis an odd little chiller that has substantial staying power thanks to the independent drive force of the movie – Mark Duplass ’s performance as Josef . compose forThe Village Voice , Simon Abramsgave a ' fresh ' critique of the moving picture stating : " As Josef , Duplass has a boyishly skittish quality that makes his character ’s unknowingly desperate attempts to bring together with Aaron that much more disconcerting . "
Till Death (2021) – 90%
Megan Fox takes the lead in her most highly - rated movie on Rotten Tomatoes with this little - shell thriller that ’s well - carry with gory twists . It ’s an fantabulous part too , with Fox having to channel the whole moving picture on her shoulder as a woman who get herself handcuffed to the body of her husband as part of an elaborate retaliation plot of land .
ForVariety , Manuel Betancourtpraised Fox ’s performance in one of the motion-picture show ’s ' fresh ' reviews , spell : " Fox gives Emma an adrenaline - driven jolt that make her the variety of heroine you want to settle down for . "
The Block Island Sound (2020) – 90%
In his review forThe Austin Chronicle , Richard WhittakercalledThe Block Island Sounda " lo - fi aquatic nightmare " and the flick certainly arouse ideas about Lovecraftian teras of the mystifying .
However , it ’s clear from early on that the film is really more of a family drama about two siblings from a small utter - last island community . One get away while the other does n’t . Its genre twist is also a playfulness one for hardened stalwarts of broken - budget but still gamy - concept repulsion films .
Gerald’s Game (2017) – 91%
Gerald ’s Gameis a Netflix original film based ona Stephen King novel of the same name . The patch revolves around Jessie , played by Carla Gugino , who ascertain herself handcuff to a bed with no apparent hope of outflow or saving .
The revulsion of the movie comes not just from the creative survival aspects of the main plot but from Jessie ’s own interior persuasion and memories as she confront the aspects of her life that had lead her to her predicament . Writing forVariety , Joe Leydonpraised Carla Gugino ’s primal public presentation as Jessie , stating that " Gugino adroitly intertwines diverge threads of scare , passion , gall , gallows humor and long - simmering resentment " in one of the pic ’s many glowing review .
1922 (2017) – 91%
1922is anotherStephen King adaptationcreated for Netflix and unloose in 2017 to potent decisive plaudits . The story sees a James Leonard Farmer recount the macabre tale of how he come to drop off everything and become haunted by the phone of the strikebreaker in his hotel room wall .
While seemingly a small - scale horror adaptation of a lesser - known Stephen King novella,1922is a somewhat robust period while that seeks to tap into the dead on target themes of its news report , with the main character ’s journey mirroring the rise and fall of the times . Writing forThe Hollywood Reporter , John DeForenoted that the film " is not shocking in its scares , and rather show its protagonist ’s excruciation mostly as a slow decomposition . "
Coming Home In The Dark (2021) – 92%
hail dwelling in the Darkmay appear to be a fairly black market - of - the - manufacturing plant carjacking horror picture at first , but it quickly deviates into becoming a superimposed drama about the personal histories of the carjackers and one of the dupe .
Writing for theLos Angeles Times , Noel Murraynoted that the film ’s tone and plot bore a direct resemblance to Australia ’s " Ozploitation " movies of the seventy and 80s , " when a handful of creative , unafraid film producer told intense and trigger-happy story , often rooted in the country ’s complicated history . "
Sweetheart (2019) – 93%
Starring Kiersey Clemons as a shipwreck woman stalk by a mystifying animal from the depths , Sweetheartis a distinct type ofaquatically - theme repulsion moviethat is rarely made in today ’s market , giving it a lot of type .
The monster is the real focus of the action withTodd Gilchristwriting for TheWrap that " the film producer ’ use of creature design , gore , and bright measured mystification creates a sense of dread that only builds the clearer the silhouette of the animate being come into focal point . "
Raw (2016) – 93%
draw from the dramatic event and consistency repugnance of the New French Extremity , Rawis an original come - of - age story that see a young adult female coming to terminal figure with cannibalistic tendencies that she encounters after she leaves home for veterinary school .
The movie was widely praised for its compelling atmospheric state withCatherine Braywriting for Variety that " a variety of distorted dream - logic dominates and permits events to get befittingly out of hand . "
Cam (2018) – 93%
A hair-raising position result when a cleaning woman ’s account on a cam show site is taken over by a minatory doppelganger , with the material - world life that she tries to keep freestanding from her on-line part becoming for good change by the consequences .
Writing forSlate , Inkoo Kangdescribed the film as a " sort of Black Mirror for Cam River girl " and remark that the " slow reveal of the day - to - day realness of Cam River - girling is the movie ’s real stripteaser — all of it hem in by an aura of authenticity . "
Hush (2016) – 93%
A taut horror thriller that puts the hearing into the mind of a indifferent woman attempting to last a habitation intrusion by a determined serial orca , Hushuses its single localization to maximum effect , find originative approaches to its plotting , redaction , and sound innovation .
Writing forVariety , Geoff Berkshirewrote : " salvo of loud noise are a genre bromide , but rarely used as effectively , or purposefully , as they are here . "
